Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/26003
Appears in Collections:Communications, Media and Culture Journal Articles
Peer Review Status: Refereed
Title: Race, Ethnicity and Gang Violence: Exploring Multicultural Tensions in Contemporary Danish Cinema
Author(s): Moffat, Kate
Contact Email: k.l.moffat@stir.ac.uk
Keywords: Danish cinema
gangster genre
multiculturalism
immigration
welfare state
Issue Date: 2018
Date Deposited: 18-Oct-2017
Citation: Moffat K (2018) Race, Ethnicity and Gang Violence: Exploring Multicultural Tensions in Contemporary Danish Cinema. Scandinavian Canadian Studies, 25, pp. 136-153. https://scancan.net/master_vol_25.htm
Abstract: One of the most striking genre conventions to emerge in Danish cinema in recent years is the gangster motif. Replete with gritty social realism, urban decay, and tribal warfare between different ethnic groups these films reflect a growing discontent in the Danish welfare state, particularly regarding multiculturalism and inclusion. I follow these trends from the mid-1990s, focusing specifically on the themes of ethnic division in several key texts. These include Michael Noer and Tobias Lindholm’s R [R: Hit First, Hit Hardest] (2010), Michael Noer’s Nordvest [Northwest] (2013) and Omar Shargawi’s Gå med fred, Jamil [Go With Peace, Jamil] (2008). I explore racial division in these films by examining how they reflect or subvert cultural and political approaches towards diversity in Denmark over the last two decades.
URL: https://scancan.net/master_vol_25.htm
Rights: The publisher has granted permission for use of this work in this Repository. To be published in Scandinavian Canadian Studies by Association for the Advancement of Scandinavian Studies in Canada: http://scancan.net/

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