Please use this identifier to cite or link to this item:
http://hdl.handle.net/1893/26789
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Craig, Lesley Elizabeth | en_UK |
dc.date.accessioned | 2018-02-23T00:17:46Z | - |
dc.date.available | 2018-02-23T00:17:46Z | - |
dc.date.issued | 2018-02-19 | en_UK |
dc.identifier.uri | http://hdl.handle.net/1893/26789 | - |
dc.description.abstract | First paragraph: Why would animal rights organisation PETApraise a filmin which a group of apes are brutally attacked by humans? The answer is that War for the Planet of the Apes, the most recent movie in the franchise, used no real primates in its filming. Yet while computer generated imagery is now good enough to create realistic looking animals on screen, some movies still employ actual non-human primates. In the last few years, primate actors have been used in major Hollywood films such as The Hangover Part II (2011), The Wolf of Wall Street (2013) and Pirates of the Carribean: Dead Men Tell No Tales (2017). | en_UK |
dc.language.iso | en | en_UK |
dc.publisher | The Conversation Trust | en_UK |
dc.relation | Craig LE (2018) Putting primates on screen is fuelling the illegal pet trade. The Conversation. 19.02.2018. https://theconversation.com/putting-primates-on-screen-is-fuelling-the-illegal-pet-trade-91995 | en_UK |
dc.rights | The Conversation uses a Creative Commons Attribution NoDerivatives licence. You can republish their articles for free, online or in print. Licence information is available at: http://creativecommons.org/licenses/by-nd/4.0/ | en_UK |
dc.rights.uri | http://creativecommons.org/licenses/by-nd/4.0/ | en_UK |
dc.title | Putting primates on screen is fuelling the illegal pet trade | en_UK |
dc.type | Newspaper/Magazine Article | en_UK |
dc.citation.issn | No ISSN | en_UK |
dc.citation.publicationstatus | Published | en_UK |
dc.type.status | VoR - Version of Record | en_UK |
dc.identifier.url | https://theconversation.com/putting-primates-on-screen-is-fuelling-the-illegal-pet-trade-91995 | en_UK |
dc.citation.date | 19/02/2018 | en_UK |
dc.publisher.address | London | en_UK |
dc.contributor.affiliation | Psychology | en_UK |
dc.identifier.wtid | 1020607 | en_UK |
dc.contributor.orcid | 0000-0003-4547-339X | en_UK |
dcterms.dateAccepted | 2018-02-19 | en_UK |
dc.date.filedepositdate | 2018-02-22 | en_UK |
rioxxterms.type | Other | en_UK |
rioxxterms.version | VoR | en_UK |
local.rioxx.author | Craig, Lesley Elizabeth|0000-0003-4547-339X | en_UK |
local.rioxx.project | Internal Project|University of Stirling|https://isni.org/isni/0000000122484331 | en_UK |
local.rioxx.freetoreaddate | 2018-02-22 | en_UK |
local.rioxx.licence | http://creativecommons.org/licenses/by-nd/4.0/|2018-02-22| | en_UK |
local.rioxx.filename | Craig-Conversation-2018.pdf | en_UK |
local.rioxx.filecount | 1 | en_UK |
local.rioxx.source | No ISSN | en_UK |
Appears in Collections: | Psychology Newspaper/Magazine Articles |
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
Craig-Conversation-2018.pdf | Fulltext - Published Version | 1.34 MB | Adobe PDF | View/Open |
This item is protected by original copyright |
A file in this item is licensed under a Creative Commons License
Items in the Repository are protected by copyright, with all rights reserved, unless otherwise indicated.
The metadata of the records in the Repository are available under the CC0 public domain dedication: No Rights Reserved https://creativecommons.org/publicdomain/zero/1.0/
If you believe that any material held in STORRE infringes copyright, please contact library@stir.ac.uk providing details and we will remove the Work from public display in STORRE and investigate your claim.