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http://hdl.handle.net/1893/30688
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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Neely, Sarah | en_UK |
dc.contributor.author | Smith, Sarah | en_UK |
dc.contributor.editor | Reynolds, Lucy | en_UK |
dc.date.accessioned | 2020-02-06T01:01:00Z | - |
dc.date.available | 2020-02-06T01:01:00Z | - |
dc.date.issued | 2019 | en_UK |
dc.identifier.uri | http://hdl.handle.net/1893/30688 | - |
dc.language.iso | en | en_UK |
dc.publisher | Bloomsbury | en_UK |
dc.relation | Neely S & Smith S (2019) The Art Of Maximal Ventriloquoy - Femininity As Labour In The Films Of Rachel Maclean. In: Reynolds L (ed.) Women Artists, Feminism and the Moving Image: Contexts and Practices. London: Bloomsbury, pp. 165-177. https://www.bloomsbury.com/uk/women-artists-feminism-and-the-moving-image-9781784537005/ | en_UK |
dc.rights | This item has been embargoed for a period. During the embargo please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study. Publisher policy allows this work to be made available in this repository. Published in Reynolds L (ed.) Women Artists, Feminism and the Moving Image: Contexts and Practices. London: Bloomsbury, pp. 165-177: https://www.bloomsbury.com/uk/women-artists-feminism-and-the-moving-image-9781350113282/ | en_UK |
dc.rights.uri | https://storre.stir.ac.uk/STORREEndUserLicence.pdf | en_UK |
dc.title | The Art Of Maximal Ventriloquoy - Femininity As Labour In The Films Of Rachel Maclean | en_UK |
dc.type | Part of book or chapter of book | en_UK |
dc.rights.embargodate | 2020-02-23 | en_UK |
dc.rights.embargoreason | [The art of maximal ventriloquoy - femininity as labour in the films of rachel maclean (final).pdf] Publisher requires embargo of 6 months after formal publication. | en_UK |
dc.citation.spage | 165 | en_UK |
dc.citation.epage | 177 | en_UK |
dc.citation.publicationstatus | Published | en_UK |
dc.type.status | AM - Accepted Manuscript | en_UK |
dc.identifier.url | https://www.bloomsbury.com/uk/women-artists-feminism-and-the-moving-image-9781784537005/ | en_UK |
dc.author.email | sarah.neely@stir.ac.uk | en_UK |
dc.citation.btitle | Women Artists, Feminism and the Moving Image: Contexts and Practices | en_UK |
dc.citation.date | 22/08/2019 | en_UK |
dc.citation.isbn | 9781784537005 | en_UK |
dc.citation.isbn | 9781350113282 | en_UK |
dc.publisher.address | London | en_UK |
dc.contributor.affiliation | Communications, Media and Culture | en_UK |
dc.contributor.affiliation | Glasgow School of Art | en_UK |
dc.identifier.wtid | 1256577 | en_UK |
dc.contributor.orcid | 0000-0001-8291-0638 | en_UK |
dc.date.accepted | 2019-03-01 | en_UK |
dcterms.dateAccepted | 2019-03-01 | en_UK |
dc.date.filedepositdate | 2019-03-27 | en_UK |
rioxxterms.type | Book chapter | en_UK |
rioxxterms.version | AM | en_UK |
local.rioxx.author | Neely, Sarah|0000-0001-8291-0638 | en_UK |
local.rioxx.author | Smith, Sarah| | en_UK |
local.rioxx.project | Internal Project|University of Stirling|https://isni.org/isni/0000000122484331 | en_UK |
local.rioxx.contributor | Reynolds, Lucy| | en_UK |
local.rioxx.freetoreaddate | 2020-02-23 | en_UK |
local.rioxx.licence | http://www.rioxx.net/licenses/under-embargo-all-rights-reserved||2020-02-22 | en_UK |
local.rioxx.licence | https://storre.stir.ac.uk/STORREEndUserLicence.pdf|2020-02-23| | en_UK |
local.rioxx.filename | The art of maximal ventriloquoy - femininity as labour in the films of rachel maclean (final).pdf | en_UK |
local.rioxx.filecount | 1 | en_UK |
local.rioxx.source | 9781350113282 | en_UK |
Appears in Collections: | Communications, Media and Culture Book Chapters and Sections |
Files in This Item:
File | Description | Size | Format | |
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The art of maximal ventriloquoy - femininity as labour in the films of rachel maclean (final).pdf | Fulltext - Accepted Version | 446.74 kB | Adobe PDF | View/Open |
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