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http://hdl.handle.net/1893/31642
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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Zioga, Polina | en_UK |
dc.date.accessioned | 2020-09-05T00:04:15Z | - |
dc.date.available | 2020-09-05T00:04:15Z | - |
dc.date.issued | 2018-04-24 | en_UK |
dc.identifier.uri | http://hdl.handle.net/1893/31642 | - |
dc.description.abstract | First paragraph: Over the past few years, we have seen the extraordinary development of neural prosthetic technologies that can replace or enhance functions of our central nervous system. For example, devices like Brain-Computer Interfaces (BCIs) allow the direct communication of the brain with a computer. The most common technique applied in these devices, is Electroencephalography (EEG) – a recording of the electrical activity along the scalp. | en_UK |
dc.language.iso | en | en_UK |
dc.publisher | The Conversation Trust | en_UK |
dc.relation | Zioga P (2018) New research shows how brain-computer interaction is changing cinema. The Conversation. 24.04.2018. | en_UK |
dc.rights | The Conversation uses a Creative Commons Attribution NoDerivatives licence. You can republish their articles for free, online or in print. Licence information is available at: http://creativecommons.org/licenses/by-nd/4.0/ | en_UK |
dc.rights.uri | http://creativecommons.org/licenses/by-nd/4.0/ | en_UK |
dc.subject | Live Brain-Computer Cinema Performance, Brain-Computer Interface (BCI), Multi-Brain Interaction, Electroencephalography (EEG), Performer, Audience Participation, Attention, Emotional Engagement | en_UK |
dc.title | New research shows how brain-computer interaction is changing cinema | en_UK |
dc.type | Newspaper/Magazine Article | en_UK |
dc.citation.publicationstatus | Published | en_UK |
dc.type.status | VoR - Version of Record | en_UK |
dc.contributor.funder | Staffordshire University | en_UK |
dc.author.email | polina.zioga@stir.ac.uk | en_UK |
dc.citation.date | 24/04/2018 | en_UK |
dc.publisher.address | London | en_UK |
dc.description.notes | https://theconversation.com/new-research-shows-how-brain-computer-interaction-is-changing-cinema-94832 | en_UK |
dc.contributor.affiliation | Staffordshire University | en_UK |
dc.identifier.wtid | 1653256 | en_UK |
dc.contributor.orcid | 0000-0003-1317-2074 | en_UK |
dcterms.dateAccepted | 2018-04-24 | en_UK |
dc.date.filedepositdate | 2020-08-25 | en_UK |
dc.subject.tag | Audiences | en_UK |
dc.subject.tag | Brain-machine interfacing | en_UK |
dc.subject.tag | Cognitive and Affective Computing | en_UK |
dc.subject.tag | Cognitive neuroscience | en_UK |
dc.subject.tag | Digital Media | en_UK |
dc.subject.tag | EEG | en_UK |
dc.subject.tag | Film Theory - Technology | en_UK |
dc.subject.tag | Interactive | en_UK |
dc.subject.tag | Mobile Cognition | en_UK |
rioxxterms.type | Other | en_UK |
rioxxterms.version | VoR | en_UK |
local.rioxx.author | Zioga, Polina|0000-0003-1317-2074 | en_UK |
local.rioxx.project | Project ID unknown|Staffordshire University|http://dx.doi.org/10.13039/100010020 | en_UK |
local.rioxx.freetoreaddate | 2020-09-04 | en_UK |
local.rioxx.licence | http://creativecommons.org/licenses/by-nd/4.0/|2020-09-04| | en_UK |
local.rioxx.filename | Zioga-2018-New_research_shows_how_brain-computer_interaction_is_changing_cinema.pdf | en_UK |
local.rioxx.filecount | 1 | en_UK |
Appears in Collections: | Communications, Media and Culture Newspaper/Magazine Articles |
Files in This Item:
File | Description | Size | Format | |
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Zioga-2018-New_research_shows_how_brain-computer_interaction_is_changing_cinema.pdf | Fulltext - Published Version | 276.77 kB | Adobe PDF | View/Open |
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