Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/37765
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dc.contributor.authorFleming, Daviden_UK
dc.date.accessioned2026-01-20T01:01:11Z-
dc.date.available2026-01-20T01:01:11Z-
dc.date.issued2025-12-23en_UK
dc.identifier.urihttp://hdl.handle.net/1893/37765-
dc.description.abstractThis essay explores the Chinese “TV Theory Film” When Marx Met Confucius, which surfaced in 2023 charged with complex political, ethical, and philosophical tensions. Engaging several of these, the paper argues that the live-action portrayal of Kong fuzi (Master Confucius) alongside a ‘Deepfaked’ Karl Marx, and a chaotic constellation of other Chinese politico-philosophical icons, appear designed to dislodge a potent political image of deep Chinese time—one that the crystalline theories of Walter Benjamin and Gilles Deleuze can help us to politically deconstruct and map. The reanimated aesthetic figures of dead philosophers intellectually performing therein are also discussed as being doubly or even trebly “monstrous”: first, in Marx’s sense of how alienated workers become dismembered and dis-organ-ised monsters under systems of capitalism; second, through Deleuze’s notion of the history of philosophy producing mutant “monsters” made to speak whatever their creators dictate. In this case, Marx and Confucius function as monstrous philosophical personae—intercessors for an absent-present author, one articulated through the master signifier of what is known as “Xi Jinping Thought on Culture.” However, these propagandised images of still-labouring dead philosophers also betray a mutation in semicapitalist desires for technological monstration. For, newfangled non-human software actors gesture us towards the weird agencies of deceptive, and con-trolling forms of “chthulumedia,” which help to reify a synthetic and syncretic version of “Marxism with Chinese characteristics.” With this exposing in turn another facet of, what we might call after Benjamin, a “small crystal of the total event,” or what Deleuze might frame as a disjunctive crystalline synthesis. By such means the paper identifies a new twist to the ‘Lazarean’ return of long dead philosophers for political work in the remediated present.en_UK
dc.language.isoenen_UK
dc.publisherNOVA Institute of Communicationen_UK
dc.relationFleming D (2025) Monstrous, Alienated, and Still Labouring Dead Philosophers: Karl Marx ('with Chinese characteristics' and 'chthulumedia' features') meets Confucius … in a crepuscular theory crystal. <i>RSE (Revista de Comunicação e Linguagens) Journal of Communications and Languages</i>, 63 (Special Issue: Death-Images). https://doi.org/10.34619/z1au-dv78en_UK
dc.rightsThis work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.en_UK
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/en_UK
dc.subjectWhen Marx met Confuciusen_UK
dc.subjectKarl Marxen_UK
dc.subjectConfuciusen_UK
dc.subjectDead philosophersen_UK
dc.subjectWalter Benjaminen_UK
dc.subjectGilles Deleuzeen_UK
dc.subjectCrystal Imagesen_UK
dc.subjectChinese Historyen_UK
dc.subjectXi Jinpingen_UK
dc.subjectChinese Politicsen_UK
dc.titleMonstrous, Alienated, and Still Labouring Dead Philosophers: Karl Marx ('with Chinese characteristics' and 'chthulumedia' features') meets Confucius … in a crepuscular theory crystalen_UK
dc.typeJournal Articleen_UK
dc.identifier.doi10.34619/z1au-dv78en_UK
dc.citation.jtitleRevista de Comunicação e Linguagensen_UK
dc.citation.issn2183-7198en_UK
dc.citation.volume63en_UK
dc.citation.issueSpecial Issue: Death-Imagesen_UK
dc.citation.publicationstatusPublisheden_UK
dc.citation.peerreviewedRefereeden_UK
dc.type.statusVoR - Version of Recorden_UK
dc.author.emaildavid.fleming@stir.ac.uken_UK
dc.citation.date23/12/2025en_UK
dc.contributor.affiliationCommunications, Media and Cultureen_UK
dc.identifier.scopusid105028625054en_UK
dc.identifier.wtid2202151en_UK
dc.contributor.orcid0000-0002-3176-0745en_UK
dc.date.accepted2025-11-04en_UK
dcterms.dateAccepted2025-11-04en_UK
dc.date.filedepositdate2026-01-08en_UK
dc.subject.tagArtificial Intelligenceen_UK
dc.subject.tagDigital Mediaen_UK
dc.subject.tagDigital Media, Development and Politicsen_UK
dc.subject.tagDigital Society and Cultureen_UK
dc.subject.tagFilm Philosophyen_UK
dc.subject.tagFilm Theory - Philosophy Approachesen_UK
dc.subject.tagFilm Theory - Technologyen_UK
rioxxterms.apcpaiden_UK
rioxxterms.versionVoRen_UK
local.rioxx.authorFleming, David|0000-0002-3176-0745en_UK
local.rioxx.projectInternal Project|University of Stirling|https://isni.org/isni/0000000122484331en_UK
local.rioxx.freetoreaddate2026-01-08en_UK
local.rioxx.licencehttp://creativecommons.org/licenses/by-nc/4.0/|2026-01-08|en_UK
local.rioxx.filename7_fleming.pdfen_UK
local.rioxx.filecount1en_UK
local.rioxx.source2183-7198en_UK
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