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Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/38115
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dc.contributor.authorAvdeeff, Melissaen_UK
dc.date.accessioned2026-05-30T00:25:12Z-
dc.date.available2026-05-30T00:25:12Z-
dc.date.issued2025-05-04en_UK
dc.identifier.urihttp://hdl.handle.net/1893/38115-
dc.description.abstractFirst paragraph: When Anna Indiana, the self-proclaimed first AI singer songwriter, released her debut track, ‘Betrayed by this Town’, on Twitter/X in November 2023, the response was overwhelmingly negative. A common theme in the discourse was a defence of the perceived creative superiority of predominantly male rock musicians, often juxtaposed with comparisons to Taylor Swift and the denigration of pop music and female singer-songwriters:en_UK
dc.language.isoenen_UK
dc.publisherInforma UK Limiteden_UK
dc.relationAvdeeff M (2025) Digital discourse and the human experiences of AI music: an ethnomusicological perspective. <i>Ethnomusicology Forum</i>, 34 (2), pp. 219-224. https://doi.org/10.1080/17411912.2025.2551437en_UK
dc.rights© 2025 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group This is an Open Access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. The terms on which this article has been published allow the posting of the Accepted Manuscript in a repository by the author(s) or with their consent.en_UK
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/en_UK
dc.titleDigital discourse and the human experiences of AI music: an ethnomusicological perspectiveen_UK
dc.typeJournal Articleen_UK
dc.identifier.doi10.1080/17411912.2025.2551437en_UK
dc.citation.jtitleEthnomusicology Forumen_UK
dc.citation.issn1741-1920en_UK
dc.citation.issn1741-1912en_UK
dc.citation.volume34en_UK
dc.citation.issue2en_UK
dc.citation.spage219en_UK
dc.citation.epage224en_UK
dc.citation.publicationstatusPublisheden_UK
dc.citation.peerreviewedRefereeden_UK
dc.type.statusVoR - Version of Recorden_UK
dc.contributor.funderUniversity of Stirlingen_UK
dc.author.emailmelissa.avdeeff@stir.ac.uken_UK
dc.citation.date25/11/2025en_UK
dc.contributor.affiliationCommunications, Media and Cultureen_UK
dc.identifier.isiWOS:001625417500001en_UK
dc.identifier.scopusid105023170214en_UK
dc.identifier.wtid2227607en_UK
dc.contributor.orcid0000-0003-2474-6053en_UK
dc.date.accepted2025-05-01en_UK
dcterms.dateAccepted2025-05-01en_UK
dc.date.filedepositdate2026-02-11en_UK
rioxxterms.apcpaiden_UK
rioxxterms.versionVoRen_UK
local.rioxx.authorAvdeeff, Melissa|0000-0003-2474-6053en_UK
local.rioxx.projectProject ID unknown|University of Stirling|en_UK
local.rioxx.freetoreaddate2026-02-11en_UK
local.rioxx.licencehttp://creativecommons.org/licenses/by-nc-nd/4.0/|2026-02-11|en_UK
local.rioxx.filenameDigital discourse and the human experiences of AI music an ethnomusicological perspective.pdfen_UK
local.rioxx.filecount1en_UK
local.rioxx.source1741-1920en_UK
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