Please use this identifier to cite or link to this item:
http://hdl.handle.net/1893/27352
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.advisor | Bell, Liam | - |
dc.contributor.advisor | Squires, Claire | - |
dc.contributor.author | Hill, Lorna | - |
dc.date.accessioned | 2018-06-08T08:52:34Z | - |
dc.date.issued | 2017-11-29 | - |
dc.identifier.citation | Journal of American, British & Canadian Studies Bloody Women: How Female Authors Have Transformed the Scottish Contemporary Crime Fiction Genre (June 2017) https://www.degruyter.com/view/j/abcsj | en_GB |
dc.identifier.uri | http://hdl.handle.net/1893/27352 | - |
dc.description.abstract | This study will explore the role of female authors and their female protagonists in contemporary Scottish and Nordic crime fiction. Authors including Val McDermid, Denise Mina, Lin Anderson and Liza Marklund are just a few of the women who have challenged the expectation of gender in the crime fiction genre. By setting their novels in contemporary society, they reflect a range of social and political issues through the lens of a female protagonist. By closely examining the female characters, all journalists, in Val McDermid’s Lindsay Gordon series; Denise Mina’s Paddy Meehan series; Anna Smith’s books about Rosie Gilmour; and Liza Marklund’s books about Annika Bengzton, I explore the issue of gender through these writers’ perspectives and also draw parallels between their societies. I document the influence of these writers on my own practice-based research, a novel, The Invisible Chains, set in post-Referendum Scotland. The thesis will examine and define the role of the female protagonist, offer a feminist reading of contemporary crime fiction, and investigate how the rise of human trafficking, the problem of domestic abuse in Scotland and society’s changing attitudes and values are reflected in contemporary crime novels, before discussing the narrative structures and techniques employed in the writing of The Invisible Chains. This novel allows us to consider the role of women in a contemporary and progressive society where women hold many senior positions in public life and examine whether they manage successfully to challenge traditional patriarchal hierarchies. The narrative is split between journalist Megan Ross, The Girl, a victim of human trafficking, and Trudy, who is being domestically abused, thus pulling together the themes of the critical genesis in the creative work. By focusing on the protagonist, the victims and raising awareness of human trafficking and domestic abuse, The Invisible Chains, an original creative work, reflects a contemporary society’s changing attitudes, problems and values. | en_GB |
dc.language.iso | en | en_GB |
dc.publisher | University of Stirling | en_GB |
dc.subject | women | en_GB |
dc.subject | crime fiction | en_GB |
dc.subject | female protagonists | en_GB |
dc.subject | Scottish | en_GB |
dc.subject | Scandinavian | en_GB |
dc.subject | Val McDermid | en_GB |
dc.subject | Denise Mina | en_GB |
dc.subject | Lin Anderson | en_GB |
dc.subject | Anna Smith | en_GB |
dc.subject | Liza Marklund | en_GB |
dc.subject | domestic abuse | en_GB |
dc.subject | human trafficking | en_GB |
dc.subject | gender | en_GB |
dc.subject | feminism | en_GB |
dc.subject.lcsh | Detective and mystery stories Women authors | en_GB |
dc.subject.lcsh | Women authors, Scottish | en_GB |
dc.subject.lcsh | Women authors, Swedish | en_GB |
dc.subject.lcsh | Women in literature 20th century | en_GB |
dc.subject.lcsh | McDermid, Val History and criticism | en_GB |
dc.subject.lcsh | Mina, Denise History and criticism | en_GB |
dc.subject.lcsh | Anderson, Lin History and criticism | en_GB |
dc.subject.lcsh | Smith, Anna,1952- History and criticism | en_GB |
dc.subject.lcsh | Marklund, Liza,1962- History and criticism | en_GB |
dc.title | Bloody Women: A critical-creative examination of how female protagonists have transformed contemporary Scottish and Nordic crime fiction | en_GB |
dc.type | Thesis or Dissertation | en_GB |
dc.relation.references | See Bibliography | en_GB |
dc.type.qualificationlevel | Doctoral | en_GB |
dc.type.qualificationname | Doctor of Philosophy | en_GB |
dc.rights.embargodate | 2019-06-30 | - |
dc.rights.embargoreason | The creative part to this thesis - which is also referred to in the critical section - is currently on submission to publishers. For commercial reasons I would wish to delay public access to the thesis until I know the outcome of this process. I have requested a delay of 12 months, however would be happy to adjust this accordingly depending on the outcome of the submissions process. | en_GB |
dc.contributor.funder | Arts and Humanities Research Council (AHRC) | en_GB |
dc.author.email | lornaehill@gmail.com | en_GB |
dc.rights.embargoterms | 2019-07-01 | en_GB |
dc.rights.embargoliftdate | 2019-07-01 | - |
Appears in Collections: | Literature and Languages eTheses |
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
Bloody Women - FINAL VERSION MAY 2018.pdf | Submitted for the degree of Doctor of Philosophy in Creative Writing | 3.64 MB | Adobe PDF | View/Open |
This item is protected by original copyright |
Items in the Repository are protected by copyright, with all rights reserved, unless otherwise indicated.
The metadata of the records in the Repository are available under the CC0 public domain dedication: No Rights Reserved https://creativecommons.org/publicdomain/zero/1.0/
If you believe that any material held in STORRE infringes copyright, please contact library@stir.ac.uk providing details and we will remove the Work from public display in STORRE and investigate your claim.